RTÉ ending the year in ‘reasonable place’ after financial scandal, says Bakhurst

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Rté Ending The Year In ‘Reasonable Place’ After Financial Scandal, Says Bakhurst
Kevin Bakhurst said licence fee payments have improved and that salary costs of high earners had been driven down. Photo: PA Images
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Cillian Sherlock, PA

RTÉ’s director-general is “very grateful” for an apparent improvement in licence fee payments as the organisation awaits the provision of up to €40 million in emergency funding from the Government.

Kevin Bakhurst stepped into the role in July after the national broadcaster became engulfed in a scandal emerging from undisclosed payments and commercial arrangements involving former presenter Ryan Tubridy.

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RTÉ projected it would suffer a €61 million drop in licence fee payments through 2023 and 2024 as the controversy widened following the probing of parliamentary committees into poor financial management and culture within the organisation.

RTE pay revelations
RTÉ director general Kevin Bakhurst (Niall Carson/PA)

The Government provided the crisis-hit broadcaster with €16 million, but has withheld additional financing pending the publication of its reform strategy, external reports into its financial governance and further information on licence fee sales.

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RTÉ operates on a dual-funding model, with approximately 55 per cent of its income – or €200 million a year – brought in by way of the obligatory licence fee.

Approximately 85 per cent of revenue from TV licence fees goes to RTÉ to carry out its public service broadcasting commitments. It also earns money through commercial operations.

In an interview with the PA news agency, Mr Bakhurst said the organisation was coming to the end of the year “in a reasonable place”.

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RTE pay revelations
RTÉ director-general Kevin Bakhurst and deputy director-general Adrian Lynch (Brian Lawless/PA)

Mr Bakhurst said licence fee payments had begun to “improve quite significantly” and the organisation's commercial arm is performing “pretty well”.

He said the broadcaster cut costs by several million in 2023 and has also announced it will cut costs by a further €10 million next year.

In addition, the drop in licence fee sales – which had been down by 30 per cent year-on-year in the months after the controversy emerged – eased to 18 per cent in November and below 5 per cent in the first two weeks of December.

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The organisation’s financial crisis has put renewed focus on its funding model and the recommendation of the Future of Media Commission that the licence fee be scrapped in favour of direct Exchequer funding for public-service media – a proposal which has not been implemented by Government.

Mr Bakhurst, who previously served as deputy director-general of RTÉ between 2012 and 2016, said there would be positives and negatives around direct funding but added it was ultimately a question for Government and the Oireachtas.

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“You need some safeguards around it in terms of safeguarding the independence of the organisation and also some predictability over a number of years.”

He pointed to Sweden’s public service broadcaster’s six-year funding commitments independent of the electoral cycle.

“The key thing is that, in the end, we try and get the right level of funding that we can serve audiences properly.”

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Minister for Media Catherine Martin said Government was withholding millions in emergency funding pending details of key reforms (Brian Lawless/PA)

Mr Bakhurst also revealed that he had been able to revise the pay of some high earners downwards, as part of his plan to reduce the size of the largest wage packets, and cap salaries at his own rate of pay.

In the limited amount of contracts that have come up for renewal during his tenure, he said: “The negotiations have been tough, but I think we’ve provided good value for licence fee-payers.

“We’ve driven down costs as far as we can, and we have actually driven down costs in some and, if we haven’t driven them down, we’ve kept them level – which given inflation is not a bad thing to do.”

In August, staff members were invited to complete a feedback survey about the organisation, which resulted in a call for a detailed examination and overhaul of company culture at RTÉ.

Asked what he learned from that process, Mr Bakhurst said: “We have some issues we need to deal with around silos around the organisation, around the way people are managed and treated in some respects, in some areas.

“Look, there’s good management but also some examples where it is not so good around more flexibility, around people getting more opportunities to move around the organisation and build their experience, around investment in the learning and development of staff.”

He also said there is a plan to improve the organisation’s HR systems.

As part of his strategic plan for the organisation until 2028, the director-general aims to cut RTE’s headcount by 400 – a reduction of up to 20 per cent.

He also seeks to increase investment in the independent production sector by 50 per cent.

Asked if privatising more production was the best use of licence fee-payer’s money, Mr Bakhurst said it was a “really important role” for RTÉ to put money into the creative economy.

 

He said there had been success stories of independent producers creating great content in Ireland which also attracts overseas investment.

Mr Bakhurst explained: “For example, the drama we put money into, we don’t put the vast majority in. There are tax incentives, but also there’s money from other international partners, and it does result in quality jobs and a thriving creative sector across Ireland.”

In terms of RTÉ’s own output, he said there was “frustration” that the organisation’s creative ambition is limited by how much money it has.

“Ideas are only as good as the funding that goes with them,” he said, adding that the organisation wants to invest more in its digital platforms including the RTÉ player and audio app.

Mr Bakhurt, who is on a seven-year contract, said he intends to stay in the role as long as the board wants him to.

Asked if he would still have taken the top job if he had known what was coming, he said: “I love broadcasting, I love Ireland, I know RTÉ has got a lot to offer to the country, and yeah of course, I would have come back.

“It’s been more challenging probably than I would have expected in the first few months, but even if I’d known more fully what I was facing, I’d have come back because I was up for the challenge.”

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